14 Of Pete Rock’s Best Productions

14 Of Pete Rock’s Best Productions


June 22nd, 2015


In celebration of Pete Rock’s 45th birthday, we take a look at some of the classic beats he’s produced over the last 25 years.

Pete Rock is one of the most prolific and masterful producers in the entire history of Hip Hop. His sample driven, melodic breaks and cuts is synonymous with the classic New York sound, influencing almost all production that’s come after including a young, precocious Kanye West.

Here on his 45th birthday, we celebrate just a few of his most memorable productions.

Pete Rock & CL Smooth – “They Reminisce Over You (T.R.O.Y)”

One of Hip Hop’s greatest songs and one of its best elegies, Pete Rock created this for Trouble T-Roy, a dancer for Heavy D and the Boyz. T-Roy died after falling off stage in 1990, and, in his pain, Pete Rock spun up this masterpiece using samples of Tom Scott and The California Dreams “Today” and “When She Made Me Promise” by The Beginning Of The End.

Pete Rock & CL Smooth – “Soul Brother #1”

A classic cut off of Mecca and The Soul Brother, “Soul Brother #1” was an intelligent usage of 6 great samples. But perhaps none stands out more than the bass usage of the Ohio Players “Pain.” Leave it up to Pete to be able to blend the disparate tracks perfectly, creating an instant masterpiece.

Pete Rock & CL Smooth – “Straighten It Out”

This one had deft dollops of jazz and funk blended with precision. And it would be one of the most influential beats of the era. By now Pete’s signature style had been established. And his production style would pop up again, notably in Dipset’s “Oh Boy” and later works.

Notorious B.I.G. – “Juicy”

Did Puffy and the Trackmasters rearrange Pete’s masterpiece and not give Pete his credit? Then did they switch the original to a remix? Plots like these are rife in Hip Hop where the final product can get jacked just before it hits the streets. Either way, that “Mtume” sample is one of the greatest of all time, and it ushered into our lives the magnificent and immaculate Notorious B.I.G.

INI – “Fakin’ Jax”

“I got guts, plus cuts from Pete Rock,” rhymes I.N.I. over one of the best beats of Rock’s career. It’s eerie, industrial feel is one you would find on another of Pete Rock’s classics, “Respiration.” But, above all else, it laced I.N.I. perfectly for one of the best choruses in all of Hip Hop history.

Public Enemy – “Shut Em’ Down (Remix)”

The original was raucous and rambunctious, and the classic remix by Rock was soulful without losing the original’s feeling. It’s that kind of attention to detail and feeling that makes Pete one of the greatest producers of all time.

A Tribe Called Quest – “Jazz (We’ve Got It) Buggin’ Out”

“Strictly hardcore tracks / Not a New Jack Swing” seems like a harmless line, but the thing sparked a short-lived beef between Q-Tip and Wreckz-N-Effectz. The beef got settled with fists and just which way that fight went depends on whom you ask.

DJ Babu – “Cake”

The wisp of crickets in the background defines this track of one of the most unique of Rock’s career. The easy piano loop somehow gives off the impression of this being hard despite it’s soft elements. It’s a function of soul brother #1’s genius that even with ingredients that seem strange and dichotomous, something like this is possible.

Common – “The Bitch In Yoo”

One of the best diss tracks of all time, this one cemented Common as a force to be reckoned with. We mean, it starts with “A bitch nigga wit’ a attitude named Cube…” and right then and there Common put himself in the upper echelon of emcees. Of course, it wouldn’t be anything without Chocolate Boy Wonder’s superlative production.

Nas – “The World Is Yours”

“The World Is Your” will forever be known as the greatest single from Illmatic. Rock took Ahmed Jamal’s “I Love Music” and revealed more beauty through its track’s five-minute point. For many, “The World Is Yours” is the perfect example of producer/artist unison. Nas was able to ride the beat and articulate his Queens Bridge point-of-view with finesse.

Blackstar – “Respiration”

While “Definition” was a suitable first single for Mos Def & Talib Kweli Are Blackstar, “Respiration” felt grimier and harder. On their own, Mighty Mos and Kweli are fine. Then Common shows up and only adds to the lyrical euphoria. Holding everything together was Rock’s hard drums and beautiful sample.

Pete Rock & CL Smooth – “Take You There”

Part of Hip Hop’s genius in regards to sampling are taking obscure songs that never really pushed into the mainstream and breathing new life in them. Case in point: Keni Burke’s “Risin to the Top.” Sure, everyone from Mary J Blige and Biggie to The Mary Jane Girls utilized that catchy melody and bass line but Rock made it his own while letting CL Smooth spit clever bars.

AZ – “Rather Unique”

Pete gave AZ this heat for his underrated 90s classic Doe or Die. This time he sampled Les McCann’s “Anticipation,” and created the sound palette for the NY emcee to lay down his vicious verbal onslaught.

Jay Z & Kanye West – “The Joy”

Featured as a bonus track for the deluxe edition of Watch The Throne, it’s almost a shame that “The Joy” didn’t make the initial listening. Kanye’s early productions lifted a nice bit from Rock and having some beats and vocals from the legend himself was quite a treat. Yeezus and Hov both spit comfortably on the track before Rock closes out. Then again, can anyone deny that Curtis Mayfield sample?

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